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Good Omens Review: Devilish David Tennant A Hell Of A Lot Of Fun


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By : Meri Maxey   29 or more times read
Submitted 2019-06-09 15:29:14

id="article-body" class="row" section="article-body"> It's the end of the world as we know it, and I feel Prime. In Amazon Prime Video's apocalyptic new miniseries Good Omens, it may be the end of days, but David Tennant and Michael Sheen vamp it up like there's no tomorrow. 

Enlarge ImageGood Omens' release date is May 31 on Amazon Prime Video.

Amazon Good Omens is streaming on Amazon now. The six-episode miniseries, based on a 1990 comic fantasy novel by Neil Gaiman and the late Terry Pratchett, is adapted by Gaiman in accordance with Pratchett's final wishes.

An irreverent tale of angelic intrigue in which Sheen and Tennant are servants of heaven and hell minding their own business on Earth during a celestial cold war. Devilishly funny in places while cozily meandering in others, the series earns its wings thanks to their heavenly double act.

Sheen's prim seraphim and Tennant's debauched devil are mobilized to bring about the apocalypse when the Antichrist is born in contemporary England -- except an admin error by satanic nuns delivers the bringer of darkness to the wrong family. Now who knows if the world will end on time?

Angel and demon join forces as a motley collection of angels, devils and witches seek out the erstwhile Antichrist. Highlights of the freewheeling comedy that follows include surreal animated asides about angels dancing on the head of a pin, a witch hurrying along her own burning and the sight of Tennant just generally striding about like he owns the place.

As the show romps through human history from the Garden of Eden to the swinging '60s, the former Doctor Who steals the show as slinky demon Crowley. A snake-hipped combination of Bill Nighy and Keith Richards, Tennant offers serpentine oomph whether he's sinking into the depths of demonic despair, engulfed by flame or dressing up as a Mary Poppins-style nanny -- practically perfidious in every way.

Now playing: Watch this: Amazon's Good Omens cast talks bad bosses and bureaucracy 2:20 This louche Lucifer has adapted well to the modern world, crashing mobile networks and diverting motorways into the shape of demonic sigils, and he begins to think armageddon might not be such a great idea after all. Sheen's nervy angel Aziraphale shares Crowley's concerns: He loves sushi and rare books and can't understand why heaven is so keen to go to war. Sheen's Aziraphale is a less showy part than Tennant's Crowley, but the unfailingly decent angel is the gentle heart of the story. 

Enlarge ImageSheen and Tennant have fun in a succession of divine period costumes.

Chris Raphael Pratchett and Gaiman's 1990 novel mirrored the images of its much-loved authors in the lead characters of gentle Aziraphale and black-clad Crowley and in its cheery turn of phrase underpinned with a streak of jet-black humor. With the average goth's favorite scribe Gaiman writing the TV adaptation, you expect it to lean toward a darker tone. But if anything, it could be darker. While blackly comic in places, Amazon's Good Omens feels downright cuddly compared with, say, the outrageous treatment of similar metaphysical subjects in Preacher. 

A love of language shines through the masterful writing of both Gaiman and Pratchett. Unfortunately, the TV adaptation clings to the book's text, translating it into a clunky and intrusive voiceover. Look, I've loved the novel and its delightful wordplay from the moment I first read it as a teenager. But television is a visual medium, and the wordplay-based jokes that can only be done in a voiceover, as amusing as they are, don't make up for the constant interruption by momentum-killing explanation.


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